Sound Art Festival

CitySonicSessions

Sept. 18–27

Liège

City Sonic Sessions 2026

Following a rich spring edition in Seoul, City Sonic returns to Liège with a series of events devoted entirely to performance, bringing together Belgian and international artists around a shared focus on sound, listening and encounters between practices.

Liège · 2026

Programme

Download the brochure Download the flyer Discover the artists

Free admission (no booking required unless otherwise stated)

Friday
September

Doors · 19:00

OVERFLOW Gallery

20:00

New work

Transe-Formations

Isa*Belle ; Stéphane Kozik ; Natalia de Mello

The performance emerges from the voice of Philippe Franck, founder of Transcultures and City Sonic, a major figure in the development of sound and digital arts in Belgium, who passed away in 2025. The sound works of Isa*Belle Vrammout and Stéphane Kozik and the visual world of Natalia de Mello gradually coalesce around this recorded presence.

Beginning as a tribute, Transe-Formations gradually unfolds into a dense, immersive world where the hurdy-gurdy’s rough, organic sounds meet the singing bowls’ vibrations—by turns insistent and suspended—alongside electroacoustic material and electronic textures.

This transformation echoes an approach close to Philippe Franck's: bringing practices, artists and sonic material together to open up new spaces for listening. Created and manipulated in real time, the image extends this dialogue between memory, sound and perception.

Biographies

Stéphane Kozik (Be)

An artist, sound artist and musician, Stéphane Kozik has spent more than twenty years developing a multidisciplinary practice combining audiovisual performance, sound installation, video and music. Sensitive, sensory and sometimes tinged with humour, his work places sound at the heart of settings that create narratives, atmospheres and fictions.

Drawing in particular on the role of sound in cinema, he readily reverses its hierarchy to imagine a true "cinema for the ears", in which images and narrative serve the act of listening. To this end, he designs his own sound and musical devices, exploring relationships between matter, vibration, image and sound. Each creation becomes an opportunity to experiment with new forms of composition and offer an altered perspective on reality.

stephanekozik.be

Isa*Belle (Fr/Be)

A French multidisciplinary artist based in Belgium, Isa*Belle Vrammout has spent more than thirty years developing a practice at the intersection of sound work, the body and sensory exploration, using singing bowls, gongs, bells and vibrating objects.

Long associated with Transcultures, she began collaborating with Philippe Franck / Paradise Now in 2004 on Massages Sonores and numerous works presented at City Sonic and internationally. Today, she continues her research through transdisciplinary performances and projects centred on listening, vibration and perception.

transcultures.be/isa-belle

Natalia de Mello (Pt/Be)

A Belgian-Portuguese multimedia visual artist, Natalia de Mello lives and works in Brussels. A graduate in drawing and graphic stimulation from ENSAV La Cambre, since the early 2000s she has developed a multidisciplinary practice bringing together installation, video, photography, performance and digital technologies. Her work is structured around two recurring themes: the relationship to space and the relationship to others.

Her collaborative approach moves beyond the boundaries of visual art into the performing arts, creating opportunities for experimentation and hybridisation. Through spatial audiovisual arrangements, she examines relationships between art and science, humans and machines, as well as notions of domesticity and domestication. Several of her works have entered the collections of MACS – Musée des Arts Contemporains du Grand-Hornu and the Musée royal de Mariemont.

nataliademello.net

Isa*Belle and Stéphane Kozik performing.

21:00

Scratch my back

Raymond Delepierre

SCRATCH MY BACK is a project by Raymond Delepierre centred on a vinyl object whose material is gradually transformed through listening. Placed in a sleeve with abrasive surfaces, the record becomes scratched as it is handled: these alterations create new sonic traces, making wear, gesture and accident integral parts of the work.

The performance developed from the project extends this principle into a live setting. Handling the medium, friction, crackling and electronic processing become sonic material in their own right, in a territory somewhere between ASMR and noise. SCRATCH MY BACK thus shifts the recorded object into a performative form in which sound is made, deteriorates and changes in real time.

Project Bandcamp Project video

Biographies

Raymond Delepierre (Be)

Raymond Delepierre is a sound and visual artist, sound engineer, researcher and lecturer at ENSAV La Cambre in Brussels. For many years, he has developed a practice at the intersection of sound work, installation, performance and electroacoustic experimentation.

His work pays particular attention to acoustic phenomena, vibrations, frequencies and sounds produced by the objects and environments around us. Captured, amplified, repurposed or transformed, these materials become the starting point for arrangements that question both the conditions in which sound is produced and those in which it is heard.

Through often minimal forms and a deliberately experimental approach, Raymond Delepierre explores relationships between matter, gesture, technology and perception. His installations and performances invite us to turn our attention towards sounds that are usually imperceptible, overlooked or regarded as noise, and to consider them as visual and musical material in their own right.

raymonddelepierre.com

The Scratch my back vinyl object in its sleeve.

Saturday
September

Doors · 19:00

OVERFLOW Gallery

20:00

La marée sans étoile

Roxane Rajic

La marée sans étoile is a sound and kinetic installation by Roxane Rajic, whose practice spans sculpture, installation, performance, sound and the technological exploration of ceramics. Combining ceramics, movement and sound, Roxane Rajic draws inspiration from the underground world. Water, breath and gesture activate ceramic sculpture-machines, bringing forth a sensitive landscape traversed by invisible dynamics, flows, friction and echoes. In this work, the interaction is not a simple technical trigger: it engages the body, attention and a more conscious relationship to the gestures that connect us individually and collectively.

Biographies

Roxane Rajic

Recipient of the 2025 Young Ceramic Creation Residency Prize of the Fédération Wallonie-Bruxelles, Roxane Rajic lives and works in Brussels. Born in 1993, they graduated from ENSAV La Cambre, where they studied ceramics from 2019 to 2024. Their practice spans ceramics, sculpture, installation, sound and performance, with particular attention to gestures of interaction and the forms of relationship they produce. Their path already reflects a strong interest in the resonant, activated and experimental dimensions of ceramics, which we find today at the heart of La marée sans étoile.

Their work has been shown in various exhibition contexts in Belgium and abroad and forms part of a cross-disciplinary approach in which ceramics engage with other modes of presence, perception and activation. With La marée sans étoile, Roxane Rajic affirms a singular approach, where sculpture becomes a device, where matter becomes a resonator, and where the gesture activates a landscape that is at once physical, sonic and imaginary.

instagram.com/roxanerajic · soundcloud.com/roxane-rajic

21:00

Quattrophage

Matthieu Safatly, Pierre Dellacherie, Olivier Hüe, Nicolas Lelièvre

“A genuine surprise”, according to The Wire; “a sound-visualisation phenomenon”, according to Improjazz. Since the release of Koïnobios on the Sordide Sentimental label in 1996, Quattrophage has followed a rare and almost secret path, punctuated by concerts alongside Lydia Lunch, Faust and Black Sifichi.

Their music, a true "cinema for the ear", creates hypnotic soundscapes somewhere between an abandoned industrial wasteland and an imaginary ritual ceremony. An immersive experience combining tension, sonic material and evocative power.

Biographies

Matthieu Safatly (Be)

Matthieu Safatly is a cellist, singer and sound designer. His work combines cello, voice, looper and cassette in intimate, poetic and hypnotic forms. His practice unfolds through a constant dialogue between sound experimentation, improvisation, stage poetry and transdisciplinary creation.

In addition to the Quattrophage project, within which he began to compose, he simultaneously developed a practice that embraces theatre, poetry, photography, silent cinema and multimedia installations. He has collaborated with many musicians, poets, companies and visual artists, including John Russell, Jean-Jacques Duerinckx, Present, Sandhya Sanjana, Frédéric Penelle and Yannick Jacquet.

matthieusafatly.com

Pierre Dellacherie (Fr)

A French cellist and musician, Pierre Dellacherie has been a member of Quattrophage since the group began. His practice occupies a territory where contemporary music, improvisation and sound experimentation meet, with an approach to the cello that gives as much weight to material, timbre and extended techniques as to its traditional instrumental role.

Alongside Quattrophage, he pursues various projects and collaborations, particularly in composition and cello. In 2026, he and Nicolas Boulenger released the project Rhapsodies, extending a musical practice that moves between composition and sound research.

Olivier Hüe (Fr)

A French guitarist and multi-instrumentalist, Olivier Hüe develops a particularly open practice informed equally by blues, experimental music and non-European musical traditions. Within Quattrophage, he explores electric guitar, electronic effects and various forms of repurposed or invented instrument-making.

He also plays the oud, Turkish tambûr, clarinet and shakuhachi, and trained in Ottoman classical music with Kudsi Erguner and Haroun Teboul. His career has led him to work in theatre, dance and the performing arts, while pursuing personal exploration of the connections between instruments, musical cultures and sound experimentation.

fantomus.com/musiciens/olivier-hue-0

Nicolas Lelièvre (Fr)

A French drummer, percussionist, composer and improviser, Nicolas Lelièvre develops a practice in which percussion meets repurposed objects, electronic instruments and handcrafted instruments. Trained in classical percussion and jazz, he also studied Iranian percussion with Madjid Khaladj and furthered his jazz-drumming studies with Georges Paczynski.

Curious about all forms of sound production, he works in jazz and experimental music as well as for theatre, live film accompaniment or transdisciplinary projects. Artistic director of the Compagnie des Amis de FantômUs and member of Quattrophage, he also develops a personal project under the name Drøm mixing field recording, avant-pop and imaginary folklores.

nicolas-lelievre.com

Portrait of the four members of Quattrophage. — Photo: Guillaume Laurent

Sunday
September

Transonic live · 13:30

OVERFLOW Gallery

14:30

New work

Sahara

Thanas Kas

Developed during a sound and visual arts residency in M’Hamid El Ghizlane, on the edge of the Moroccan Sahara, Sahara explores the desert as a territory for listening. Thanas Kas made field recordings, recorded local musicians and collected images, seeking not silence but the faint sounds that pass through it: wind, sand, human presence and the pulse of the body. The project creates a soundscape poised between documentary recording and a sensory perception of an environment where, in the artist’s words, "silence does not exist".

Biographies

Thanas Kas (Be)

Thanas Kas is a Belgian multi-instrumentalist and sound artist of German and Albanian origins. After studying at the Antwerp Jazz Studio and Jazz Bxl, he continued his musical research through travels to Argentina, India, Mexico and West Africa, where he trained in traditional music in Bamako and Ouagadougou. A trained drummer, he gradually broadened his practice to include guitar, percussion, electronic processing and field recording.

Founder of the Brussels label Matilemstudio, he also develops Grand Than, his solo project, which combines poetry, song, soundscapes and influences gleaned from his travels. His research into sound, landscape and immersion has notably been accompanied by Transcultures and the Transonic label during several artistic residencies in Morocco.

matilemstudio.com

15:15

New work

Pastoral - Suspended night

Christophe Bailleau O’Farrell - Philippe Franck
Solo performance by Christophe Bailleau O’Farrell

Pastoral was the Franco-Belgian duo formed in 2010 by Christophe Bailleau O’Farrell and Philippe Franck. Bringing their respective worlds together, they composed music spanning ambient, electro post-folk and post-rock, in which celestial and more earthbound sonic material meets Impressionist melodies. The duo presented its work at various festivals, exhibitions and events in Belgium and internationally.

Suspended Night is the last project undertaken together before the death of Philippe Franck in 2025. Left unfinished, the album was revisited and completed in 2026 by Christophe Bailleau, from materials created by the duo, in collaboration with the labels Transonic (Belgium) and Mahorka (Bulgaria). It is therefore the final chapter of Pastoral, extending this universe suspended between electronics, sound poetry, cinematic reverie and experimentation.

Biographies

Christophe Bailleau O’Farrell (Fr/Be)

Christophe Bailleau O’Farrell is a French multidisciplinary artist who has lived in Belgium for over thirty years. A graduate in visual arts from the ERG in Brussels, his practice brings together music, video, photography, installation, poetry and radio work.

His sound work combines acoustic instruments, electronics, concrete sounds and everyday noises in compositions that explore anticipation, silence, tension and cinematic atmospheres. With an extensive discography and numerous collaborations, he has released work on Mahorka, Optical Sound, Transonic and Lotophagus Records and has maintained close ties with Transcultures for several years.

soundcloud.com/christophe-bailleau

Philippe Franck (Fr/Be)

Philippe Franck was the founder and long-standing director of Transcultures until his death in January 2025. Art historian, critic, curator, producer and sound artist, he also founded the City Sonic festival in 2003. A major figure in sound arts, he developed numerous artistic, curatorial and educational projects in Belgium and internationally.

Through Paradise Now, the sound project he launched in the 1990s, he developed a resolutely collaborative and transdisciplinary practice combining electronic work, poetry, performance, visual art, dance and multimedia, with sound as both a common thread and a space for encounters.

philippefranck.be

16:30

New work (improvisation)

A limb

Didié Nietzsche

A Limb is Didié Nietzsche’s electronic solo project. Conceived as a hybrid musical organism in perpetual mutation, it mixes ambient, drone, improvisation, electronic rhythms, sound experiments and influences ranging from krautrock to jazz, funk or dub. His performances, largely open to improvisation, develop both in physical spaces and in the virtual worlds of Second Life.

Life is a lab

Katia Vonna Beltran

A live-cinema audiovisual performance, Life is a Lab combines poetic DIY, critical insight and low-tech technologies. On a stage transformed into a visual laboratory, repurposed objects, recycled materials, archives and images captured in real time come to life under the gaze of cameras and are immediately projected, composing a moving narrative on the border of performance, cinema and installation.

Through this deliberately handmade setup, the project addresses questions linked to ecology, nomadism, ecofeminism, activism and the reclaiming of technology. By favouring gesture, repurposing and making over technical sophistication, the performance invites us to slow down the flow of images, to shift our gaze to reality and to imagine other ways of inhabiting the world.

Katia Vonna Beltran performing Life is a lab. — Photo: Hugo Gueniffey

Biographies

Didié Nietzsche (Be)

A Belgian musician and digital artist active since the early 1980s, Didié Nietzsche co-founded the experimental collective “Radio Prague” and has pursued numerous projects and collaborations, including with 48 Cameras, Lamaφ, Neptunian Maximalism and Zaäar.

Under the name A Limb, he develops a deliberately boundary-crossing electronic practice, combining synthesisers, grooveboxes, digital processing and improvisation. Highly active in experimental scenes and virtual environments, he regularly collaborates with sound artists, visual artists and performers, while maintaining a close relationship with Transcultures and its label Transonic.

alimb1.bandcamp.com

Katia Vonna Beltran (Fr)

A multidisciplinary, nomadic artist, Katia Vonna Beltran has spent more than twenty years developing a practice combining photography, video, performance and live cinema. Her work is based on hybrid arrangements combining digital tools and low-tech technologies, from which she constructs miniature worlds in real time made of repurposed objects, recycled materials, archives and filmed images.

Resolutely DIY, her approach explores relationships between artistic creation, ecology, technology and forms of resistance. Her performances favour simple and accessible means of creating spaces for narrative and collective reflection, in which the viewer is invited to reconsider their relationship to images, objects and contemporary issues.

Her work has been presented in numerous international contexts, including France, Germany, Finland, Morocco, Turkey and South Korea.

instagram.com/katiavonna

Wednesday
September

Doors · 20:00

Cercle du Laveu

20:30

Night music

Tim Charlier, Aneline Depiereux

A sound piece composed by Tim Charlier, Night Music brings together the double bass and the cello in a creation performed with Aneline Depiereux. Two instruments with similar registers, but with distinct timbres and possibilities, are compared here in a composition performed by two musicians from the Conservatoire royal de Liège.

The project is part of Tim Charlier's personal exploration of the double bass and composition. In 2026, he released the sound project “Night Music 1”, a first series of five short pieces for double bass.

timcharlier.bandcamp.com/album/night-music-1

Biographies

Aneline Depiereux

Aneline Depiereux is a cellist. Having taken up the instrument as a child, she continued her training at the Conservatoire royal de Liège with Jean-Pol Zanutel, then Sébastien Walnier, Jean-Pierre Borboux and Johanna Ollé. She obtained her bachelor's degree in 2023 before pursuing a master’s degree in education.

Her work spans a range of repertoires, from classical and Baroque music to jazz and contemporary music projects. She also performs as a soloist and regularly serves as principal cellist, notably with the CIMI string orchestra of the Université de Liège. She also teaches cello at MagnAttitude.

instagram.com/aneline_dprx

Tim Charlier

Tim Charlier is a Belgian double bassist trained at the Conservatoire royal de Liège with Éric Mathot, where he obtained a bachelor's degree then a master's degree in double bass. His work encompasses the orchestral repertoire and chamber music as well as music from diverse traditions and aesthetics. He collaborates with numerous ensembles and musicians, notably in projects ranging from symphonic music to Middle Eastern, Latin American and Afro-jazz repertoires.

Alongside his activity as a performer, he develops personal work in composition and arrangement, as evidenced in particular by the series NIGHT MUSIC 1, published in 2026.

timcharlier.com

21:15

New work

Improvisation(s)

Jean-Jacques Duerinckx & Jean-Marc Foussat

Bringing together two leading figures in free improvisation, the performance sets Jean-Jacques Duerinckx’s saxophones against Jean-Marc Foussat’s electroacoustic world. Sopranino and baritone enter into dialogue with analogue synthesiser, voice, objects and electronic material in music created in the moment. Interplays of timbre, breath, saturation and abstract texture shape a shifting sonic space in which each performer acts on the other’s sound as much as on his own. Their rapport has developed through several concerts and recordings, including “L’Île des trésors”, recorded in Brussels in 2023.

Jean-Jacques Duerinckx and Jean-Marc Foussat. — Photo: Jurgen Dhont

Biographies

Jean-Marc Foussat (Fr)

A Franco-Algerian electroacoustic composer, improviser and sound recordist, Jean-Marc Foussat has developed a distinctive practice since the 1970s based on analogue synthesisers, magnetic tape, voice and techniques drawn from musique concrète. His first solo album, Abattage, released in 1983, became a landmark of French experimental electroacoustic music.

As both a musician and a facilitator, he recorded and supported the European improvised music scene for several decades. Co-founder of the Potlatch label, he created FOU Records in 2012, where he publishes his own projects, numerous collaborations and archives dedicated to free music.

jm.foussat.free.fr

Jean-Jacques Duerinckx (Be)

Saxophonist, sound artist and improviser from Brussels, Jean-Jacques Duerinckx develops a practice focused mainly on sopranino and baritone saxophones. Influenced in particular by Steve Lacy, John Surman and Anthony Braxton, then marked by his encounters with Lol Coxhill and Michel Doneda, he explores a territory where abstract melodies, breath and sonic material intertwine.

Highly active on the free-improvisation scene, he founded the OMFI (One Moment Free Improv) collective and concert series in Brussels and regularly works with musicians, sound artists and visual artists. Under the title A State of Mutation, he also develops work devoted to improvisation and exploring the saxophone’s acoustic possibilities.

soundcloud.com/mutation-by-mcjj

Thursday
September

Doors · 16:30

Manège Fonck

17:00

Work-in-progress residency showing

Homo-Luciola

Fred Chemama / 眯腊 (mira), Judith Léonardon, Sara Molon, Esteban Vin, Christian Leroy, Stéphane Kozik, Yacine Sebti

Homo-Luciola is a work bringing together vertical dance, interactive audiovisual art and sound work. Emerging from the encounter between the Fōz Machine, an interactive audiovisual device by the artist 眯腊 (mira) and the company LaterrateraL, the project transforms facades and architecture into living surfaces. Suspended in space, the bodies generate luminous traces in real time between photographic light-painting and video mapping.

Constructed as a dystopian tale, Homo-Luciola freely traces our relationship to images, from the earliest cave markings to a future saturated with light and technology. Through the figure of a hybrid being, half-human, half-firefly, the performance plays with myths, flight and transformation to question our fascination with images, progress and this contemporary obsession with “always faster, higher, further”.

fredchemama.net laterrateral.be

Biographies

Fred Chemama / 眯腊 (mira) (Fr/Be)

A French multimedia artist based in Belgium since the late 1990s, Fred Chemama, alias 眯腊 (mira), develops a practice spanning photography, video, performance and interactive technologies. His work focuses on traces of the body, the memory of places and relationships between gesture, light and image.

He favours collaborative, site-specific systems in which technology becomes a tool for perception and the poetic transformation of space. He designed the Fōz Machine, an interactive video installation that captures movements of light and reproduces them on architecture in real time, transforming gestures and movement into ephemeral visual traces.

Judith Léonardon (Fr/Be)

A French musician, dancer, actor and circus artist based in Brussels, Judith Léonardon develops a practice bringing aerial arts, movement and music into dialogue. Trained in France, Great Britain and Belgium, she discovered vertical dance in 2016 and gradually incorporated it into her work as a performer.

A multi-instrumentalist, her work also spans classical music, jazz and world music. She joined LaterrateraL in 2022, where she combines her musical and aerial practices in creations designed for public space and architecture.

Sara Molon (It/Be)

An Italian aerial artist and dancer based in Belgium, Sara Molon develops a practice between acrobatics, contemporary dance, movement theatre and in situ creation. Trained in particular in vertical rope and aerial disciplines, she collaborated with several companies in Italy before continuing her artistic path in Belgium.

Co-founder of LaterrateraL and the company OUI! Mais…, she closely combines creation, teaching and research into suspended movement. Her work focuses particularly on relationships between body, space, architecture and staging.

Esteban Vin (Be)

A circus artist, performer and technician, Esteban Vin has worked for many years with aerial disciplines, vertical dance and work at height. Trapeze, aerial silks, rope and suspension systems are the principal tools of a practice in which artistic creation and technical expertise are closely linked.

Also trained in rigging, anchoring and safety at height, he works as a performer, trainer and builder of stage systems. Founder of CirK en StoK and co-founder of LaterrateraL, he participates in the design of performances where architecture becomes choreographic space.

Christian Leroy (Be)

A Belgian composer, pianist and live film accompanist, Christian Leroy has been developing a practice for over forty years that spans contemporary music, jazz, improvisation and music for moving image. He has devoted himself particularly to silent cinema, accompanying and composing for nearly two hundred films, while developing a language where acoustic instruments and electronics meet.

Founder at the end of the 1970s of the Ensemble Musique Vivante, which became Métarythmes de l'Air, he collaborated with numerous musicians including Steve Lacy, Fred Van Hove, Barre Phillips, Louis Sclavis and Marilyn Crispell. He is also the author of numerous music for cinema, animation and documentaries.

soundcloud.com/christianleroycompositeur

Stéphane Kozik (Be)

stephanekozik.be

Yacine Sebti (Ma/Be)

A Belgian-Moroccan digital artist and developer based in Brussels, Yacine Sebti has developed interactive installations and performances since the early 2000s, exploring relationships between body, space, image, sound and technology. His practice combines artistic creation and programming in real time, notably through audiovisual environments reacting to the movements of the public or the performers.

He has created projects including “Move in a Frame”, “Meet Somebody” and “Help Me ou Jump!” He also collaborates with numerous artists as a developer and interactivity specialist. A long-standing collaborator of Fred Chemama, he is responsible for programming the “Fōz Machine”. For Homo-Luciola, he continues to develop the system, electronics and interactions.

Friday
September

Doors · 19:00

la péniche l'Armande

20:00

Feuilleton de feuilles

Roxane Métayer

“From the end of winter to the end of spring, life in the Sonian Forest saw its cycle unfold. Several times a week, for several months, this meant going there, equipped with a recorder and a camera, to follow this cycle closely and find coots, chipmunks and leaf beetles. From the formation of pairs of birds to the construction of nests, including the birth of chicks and the blooming of flowers, the violin is the common thread of this entire story. A performance, therefore, made up, among other things, of images of the forest, violin melodies and birdsong.”

Text by Roxane Métayer

Biographies

Roxane Métayer (Fr)

Roxane Métayer is a French musician and visual artist based in Brussels. Trained in visual arts at the École de Recherche Graphique, she developed a practice where music, drawing, sculpture, video and observation of the living world meet. Sound sound work notably combines violin, voice, wind instruments, percussion and recordings made in nature.

Her music maintains a close dialogue with the fauna and flora, whose sound manifestations she collects and transforms. Through improvisation, field recording and a very personal violin practice, she constructs landscapes in which instrumental and environmental sounds tend to merge. Her albums have been released by KRAAK, Morc, Primordial Void, Wabi-Sabi Tapes, Marionnette Label and Matière Mémoire, among others. In 2025 and 2026, several new releases continued this research around natural environments and their transformations.

roxanemetayer.com

21:00

Un réseau de force mêlée

Ludovic Medery

Sound performance lasting around thirty minutes, Un réseau de force mêlée combines field recordings made during various journeys with the sounds of a Serge modular synthesiser. Bringing together collected material and electronic sounds, the piece creates an abstract, shifting soundscape that invites a journey between real spaces and imaginary territories.

Biographies

Ludovic Medery

Ludovic Medery is a Belgian sound artist whose work navigates between field recording, musique concrète and free improvisation. Listening occupies a central place in his practice: environmental sounds, found objects, acoustic devices and electronics constitute the raw material of compositions in which recording and transformation interact.

For many years, he has built up an extensive archive of sounds collected during his travels, which he reorganizes and transforms in the studio or in performance settings. His recent work continues this exploration of landscape and “sound filming”, particularly with Sédiment, made from recordings, hydrophones and objects collected in the Colonster woods in Liège.

ludovicmedery.bandcamp.com

Saturday
September

Doors · 17:00