Automatic soundscape #1
Automatic soundscape#1 captures in real time the sound environment of the SNCB Mons train station. This audio signal is processed via analog effects boxes and disseminated by a sculpture that brings to mind both sound waves and a pipe organ.
The sound produced is an ever-changing fabric, the intensity of which varies with the time of day and how many people are moving through the station.
Production : Transcultures
One drop is the journey of a drop of water on a series of amplified umbrellas.
A delicate way through the exhaustion and disappearance by evaporation …
Production : Void
Silence is more
Founded in City Sonic Festival in Mons in 2014, Silence is more is a sculpture-composition for 12 speakers, which becomes audible through the transmission of silent vibrations emanating from everyday materials.
The perceptible and the imperceptible are mixed here, in a relationship that challenges the limits and boundaries of our perception.
Production : Transcultures, VOID, created in the framework of the Espace(s) Son(s) Hainaut(s) platform.
VOID is a collective of artists created in brussels in 2013 by Mauro Vitturini and Arnaud Eeckhout.
Mauro Vitturini’s studies (It / Be), through mathematics, physics, art and philosophy, led him to do some research on how reality is perceived. Through sound, spatial interaction and ongoing research on semantics, he highlights the unusual and conventional certainties by raising new questions. Mauro Vitturini installations were previously presented in Rome (where he comes from), Mons (City Sonic) and Eigenbrakel (Resonances).
Both a musician and a sound art artist, Arnaud Eeckhout (Be) has developed a multidisciplinary practice which combines installations, performances and videos questioning the boundaries between sound, image and space. His artistic practice is motivated by a constant questioning of our apprehension of reality and develops through sensory perception shifted / modified events.
His works deal with the perceptible and the imperceptible. Processes he develops are in opposition with the implacable will that explains, dissects and defines reality. His major artistic practice challenge is to make new crosses to offer a hybrid reality causing a new relationship with things. The viewer is then immersed in the experience of a different realism.
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